Performance Calendar

Armenian violinist Diana Adamyan is quickly gaining an international reputation as one of her generation’s most outstanding violinists. After winning First Prize at the 2018 Yehudi Menuhin International Competition, the world’s most prestigious prize for young violinists, she went on to receive First Prize in the 2020 Khachaturian International Competition. Adamyan takes the Pickman Hall stage alongside Boston-based pianist Renana Gutman, a faculty member at Longy School of Music, for her Boston recital debut. 

Acclaimed pianist and author Jeremy Denk curates a program that unites female composers across the centuries, telling a story of women’s genius, whether celebrated, neglected, remembered, or forgotten. He lends his insight, technical panache, and uniquely expressive style to this era-spanning program. 

From 2022/23: Boston String Academy players perform Aristides Rivas’ Suite Boricua, orchestrated for strings and percussion.  Cellist Rivas also performs in a trio alongside Venezuelan cuatro innovator Carlos Capacho and harpist Eduardo Betancourt. A Stringfest performance.

From 2022/23: Harpist Charles Overton returns to Celebrity Series alongside violinist Lucia Lin for the world premiere of the latest installment of Lin's In Tandem commissioning and performance project that aims to break down color barriers in classical music and create opportunities for young fans and young musicians to encounter contemporary music that speaks to them.

Music From The Sole is a tap dance and live music company that celebrates tap’s connections to Afro-Brazilian music and dance, and other influences across the African Diaspora. The company strives to bring tap dance and its lineage to the broadest possible audience. I Didn’t Come to Stay, a work for eight dancers and a five-piece band, earned a spot on the New York Times’ Best Dance Performances of 2022 list. It explores tap’s diasporic lineage and connections to house, samba, Brazilian funk, and jazz. 

Music From The Sole is a tap dance and live music company that celebrates tap’s connections to Afro-Brazilian music and dance, and other influences across the African Diaspora. The company strives to bring tap dance and its lineage to the broadest possible audience. I Didn’t Come to Stay, a work for eight dancers and a five-piece band, earned a spot on the New York Times’ Best Dance Performances of 2022 list. It explores tap’s diasporic lineage and connections to house, samba, Brazilian funk, and jazz. 

Music From The Sole is a tap dance and live music company that celebrates tap’s connections to Afro-Brazilian music and dance, and other influences across the African Diaspora. The company strives to bring tap dance and its lineage to the broadest possible audience. I Didn’t Come to Stay, a work for eight dancers and a five-piece band, earned a spot on the New York Times’ Best Dance Performances of 2022 list. It explores tap’s diasporic lineage and connections to house, samba, Brazilian funk, and jazz. 

Music From The Sole is a tap dance and live music company that celebrates tap’s connections to Afro-Brazilian music and dance, and other influences across the African Diaspora. The company strives to bring tap dance and its lineage to the broadest possible audience. I Didn’t Come to Stay, a work for eight dancers and a five-piece band, earned a spot on the New York Times’ Best Dance Performances of 2022 list. It explores tap’s diasporic lineage and connections to house, samba, Brazilian funk, and jazz. 

Evoking potent symbolism of the crow as a messenger between life and death, transcending space and time, Ashwini Ramaswamy explores memory, dislocation, ancestry, and more in Let the Crows Come.

“Super-cool, multi-talented and dauntlessly adventurous American countertenor” (The Telegraph) Anthony Roth Costanzo returns to Boston for an all-new recital program with pianist Bryan Wagorn.  

A recent Grammy Award winner for his fearless and stunning portrayal of the title character in Philip Glass’ Akhnaten, Anthony Roth Costanzo has drawn public and critical acclaim for his unforgettable performances and the brilliance, power, and agility of his voice.  

Costanzo’s recital, a new program for the upcoming season, promises dramatic commitment and incisive characterizations; “very few singers can bring such high-caliber acting to a concert appearance,” wrote Opera News.